ABSOLUMENT’S DICTIONARY OF MODERN ART

Georges Braque's "La Guitare Et Le Compotier," 1940.

INTRODUCTION

A - coming soon

D - DELAUNAY, SONIA

E - ERNST, MAX

F - FRANKENTHALER, HELEN

K - coming soon

L - coming soon

M - coming soon

N - NEVELSON, LOUISE

O - coming soon

P - coming soon

Q - coming soon

R - coming soon

S - STERNE, HEDDA

T - TWOMBLY, CY

U - coming soon

V - VALADON, SUZANNE

W - coming soon

X - coming soon

Y - coming soon

Z - coming soon

C - coming soon

B - BRAQUE, GEORGES

Archival imagery sources will arrive as the mystery artist is revealed.

[Introduction] - Sonia Delaunay’s Rhythme (Rhythm), 1945; Helen Frankenthaler photographed by Gordon Parks for Life magazine, 1956; Hans Hofmann’s Friday night critique in Provincetown, 1948; Arshile Gorky, late 1920s, photographer unknown; Arshile Gorky’s (Composition [Still Life]), 1936; Sigrid Hjertén’s Chalk Cliffs, 1935.

[B] - Georges Braque’s Figure, 1939.

[D] - Sonia Delaunay’s Rythyme (Rhythm), 1945. © Grey Art Gallery, New York University Art Collection (c) Estate of Sonia Delaunay

[E] - Max Ernst’s La Vierge corrigeant l’Enfant Jésus devant trois témoins : André Breton, Paul Éluard et le peintre, 1926. © Adagp, Paris 2008 Photograph : Museum Ludwig, Cologne, photo Stadt Köln, Rheinisches Bildarchiv.

[F] Helen Frankenthaler’s April, 1963.

[H] - Sigrid Hjertén’s Södra landet, 1912

[N] - Louise Nevelson’s Mirror Shadow XXXXVI, 1987, c/o Locks Gallery

[S] - Hedda Sterne painting c/o The Hedda Sterne Foundation

[T] - Untitled, 1960, c/o The Solomon R. Guggenheim Foundation

[V] - Suzanne Valadon’s La Chambre bleue, 1923, c/o Le Centre Pompidou